Lighted Warmachine Menoth Vessel of Judgement Battle Engine

I have had lots of requests for how to make the lighted Menoth Battle Engine. I did not take pictures for a full tutorial, but I will post up what I have.

Firstly, I got my hands on the Menoth Vessel of Judgement battle engine. It's a great kit and it makes a great center piece for your army too.

Next up was creating the base. To make the base I cast up some plaster tiles from molds I got at Keebler Studios. I glued them down to a piece of paper, drew a circle the diameter of the inside lip of the base, then dremmeled out the circle.

 Once it was fitting properly and glued down I filled all the gaps around the edges. 

After that I sculpted the flames using green stuff. 

(Figuring out where the battle engine was going to be placed)

(The start of sculpting the flames)

(The finished flames)

When everything was nice and dry it was time to make a silicon mold of the base so I could cast up a clear resin base that I can light up.

The following pictures are of the mold poured and dry. The white on top of the purple mold is a plaster boot. I used it to level the mold as the top was not perfectly flat.

Once I had a mold of the base I wanted, it was time to make a clear one.

And the finished base. I made a few of them figuring that I would need to experiment a little. When I had it planned out where I wanted to put everything and how I wanted to paint it, I would paint up the final one without having to worry about messing it up.

Next step was to hollow out the battle engine itself.

The original plan was to make enough room inside the lower part of the battle engine to have enough room for a 9v battery. Unfortunately, there is just not enough physical space to fit one down there. So I hollowed out as much as I could.

The upper half was a little harder to hollow out. First I drilled out as much as I could from the bottom. After that I had to use a very small dremmel bit and grind out the "windows" on the side until I got the hollowed out center. For the front door I used a dremmel razor saw to cut a fine opening for the door cracking open. You will see pictures of that later as it shows up better once it is lit.

With everything hollowed out it was time to test the LEDs.

I used the LED fire kits from Modeltrainsoftware.com along with some other non-flashing LEDs from them for fill light. These LEDs come with a diode on them so you don't have to worry about putting them on a board to control the flashing.

(Video of the 3 LED kit)

And here is a video of the battle engine lit up from the inside. Some of the light is showing through the sides, but that will be fixed once it gets painted.

 Once I had an idea of how bright the LEDs would be I took one of my test bases, drilled some holes for the LEDs under the flames (will show this later on the final base), and lit it up.

At this point it was time I added some color to the sample base. I taped off the flames and primed the rest of the base. Once that was dry I clear coated the flames to act as a primer so the translucent paint that I was going to use would stick to it.

Once I had the basic plan of how I want to pull this off, it was time to finish up the assembly for the Vessel and the final base.

I marked the spots on the final base where I wanted to put LEDs along with the location that I would drill through the base for the wires that would go up into the Vessel.

When I drilled the holes for the LEDs, I looked at the base edgewise to make sure I did not drill too far up into the base. I wanted the LEDs to light up the base without you seeing an LED up in the middle of the flames.

(LED locations)

(Wiring hole location)

The following picture is a out of order from the way I did it, but it would be better to put that step next. You get to benefit from my hindsight. :)

On the bottom of the base I needed channels and a hollowed out area for the wire runs and a place to make up the wiring. This makes a HORRID mess grinding out the resin. Do this outside and use a mask. Resin dust is NOT good for you and gets everywhere.

(You can see the channels in this picture)

The plan to get power to the base/Vessel was to have the wires come up through the wheel and into the Vessel from the side.

(You can also see some of the sculpting and fill work in this picture)

The prep work done, it was time for some paint!

For the final base I did the same as for the test base: taped off the flames and primed it, then some clear coat to "prime" the flames for the translucent paints.

(First coat of paint on the base)

The flames were painted with Tamiya yellow, Tamiya red, and Vallejo Smoke. This way when it is not lit up it still looks good and it adds even more to the fire effect once it is lit.

Now on to the Vessel itself. I stuck pretty close to the stock Menoth color scheme as that is what the rest of my army is. I did decide that is needed a little more filigree though....

I attached the Vessel to some old spray paint bottles so I had something a little more substantial to hold onto and to keep me from touching the model as I painted it.

After doing the basic shading I drew on the filigree with a pencil that I would then paint over.

(Starting the gold)

(The shading on the metals is over exposed in these pictures)

(Working on the "red" on the Vessel)

(Working on the Priest and the guy pulling it)

Once everything was all painted, it all got a few layers of clear coat. Most of my stuff gets about 3-4 coats once I am done. I play quite a bit with the models so I want them to last as long as possible before I have to start doing touch ups again. I usually put on 2 coats of matt or gloss clear, then follow up with 2 of Testors Dull coat. The reason for this is the gloss varnishes much tougher than the dull coat. I use the dull coat to bring everything back down to a flat luster.

Everything was pretty much finished being painted at this point so it was time to finish the LEDs and wiring.

Here I am test-fitting the LEDs, checking for hole depth, and making sure I liked the light coverage/patterns on the top when lit. At this point the Vessel was not attached to the base. :)

Once I was happy with how it looked I used low temp hot melt gun (if you use a high temp gun you will melt the LEDs and wiring) to seal in the LEDs and trimmed the wires to the lengths they would need to be.

The base done, I wired up the Vessel and glued it to the base. (You can see the Vessel wire coming though the base on the picture above)

The two connectors inside the Vessel are for when it is running off battery power from inside. I also have another pair on the bottom that can be connected to an external power source for when it is on display.

Here it is put together and running off internal power.

Next up was making a base for it to run off external power with. I could not find a base I wanted on short notice so I ended up making one. It had a switch on the back of it and held 6 C cell batteries, so it had enough power to run the weekend at a Con. in a painting competition display case.

I laminated four pieces of wood together so I could have a hollow inside for the batteries.

 

Skipping ahead, I sanded it smooth, stained it, and added the front placard.

Finally all finished and ready for display and/or burning the heretics on the battle field!

(You can see more pictures of it in the Menoth galleries too)

How to build a lava field gaming board

This tutorial will explain the steps to create a lava gaming board. These same steps can be used to create many other types of terrain too. Sorry if it is a little long. I figured more detail was better then less.

What you will need:
1. Dow foam insulation. This can be found at most construction supply depots. It comes in blue or pink sheets. It comes in 2’x8’ sheets, so you will need 2 of them.
(If you are having trouble finding it give this web site a look and call them and they can point you in the right direction. Either for ordering it or a local dealer. http://www.layoutvision.com/id44.html)
2. 3X 2’x4’x ½” pre-cut plywood sheets. These can be purchase at any Home Depot type store.
3. Heated wire foam cutter and Hot Knife.
4. tubes of subfloor glue.
5. 2+ tubes of ACRYLIC latex caulking.
6. 1 caulking gun.
7. 1 plastic tarp to work on.
8. 1 long bladed utility knife or kitchen knife.
9. 1 bag of play yard sand. These can be purchase at any Home Depot type store.
10. 1 sheet of ¼” masonite board.
11. 1 quart of black latex wall paint
12. 1 bottle of cheap white acrylic craft paint
13. 1 bottle each of yellow and dark red/orange cheap acrylic craft paint.
14. 1 sharpie.
15. Something to cut masonite boards with. I used a Jigsaw.
16. Sandpaper to smooth the edge of the masonite templates.
17. 1 large paintbrush and 1 medium sized one for painting the lava rivers.
18. 1 small can of Drywall patching compound.


Step 1:



Take your 2 sheets of foam and lay them out. Cut them each equally in half so you have 4 2’x4’ sections. Make sure to measure you precut plywood sheets to make sure they are actually the right size to match the foam you are going to cut. If they are a little off make sure to adjust your cut on the foam to match.

Once you have your cut line drawn on the foam use a long straight edge and cut the foam with the utility knife. Do not use the heated cutters as it will distort the edge.

This will leave you with one 2’x4’ section leftover to make hills and other terrain out of.




Step 2:

Lay out your boards edge to edge and draw the pattern you will want for the lava channels and any other features you will want to cut into the foam board. Take a good look at it once you have drawn out what you want. Keep in mind that you are doing to want to be able to play on this board. So make sure you do not make it to busy.




Grab your hot foam cutter(s) and start working on cutting out the pattern you have made. If you do not have a straight hot knife you will need to use the utility knife to get to the sections you can not get with the hot wire easily.



As I was cutting stuff out I numbered the “little islands” so I would know where they go after.



Once everything is cut out you are left with smooth edges, which you don’t want. Take the hot knife (or the wire cutter) and score the edges to make it look more like a broken lava field.





Step 3:

Now that your board is all cut out and the edges are “textured” get out the subfloor glue and get it loaded up in the caulking gun.



Flip your boards over and apply the subfloor glue to the back. Make sure that all the areas near and edge have glue so the foam will not be able to pull up from the wood boards. Once it is well coated flip it over onto one of the wood boards and press it down.




Finish gluing the other 2 boards and stack all 3 of them one on top the one another with the wood backings facing up. Now that they are stacked put a bunch of heavy stuff on top and let it sit over night so that the glue will have plenty of time to dry.



Step 4:

Now that it is the next day and the glue is dry it is time to texture them. You will need your large paintbrush, the black latex paint, the sand and a tarp to work on.
First lay the tarp on the floor so you will have somewhere to collect the sand as it falls off the boards. Lay the boards on the tarp and brush on a thick coat of paint onto the top flat surface of one board. Once that is done, poor the sand onto the paint you have just put down. If it is particularly warm you may want to do a small section at a time.
At this time I also painted all the little “islands” and put sand on them too.




Once the first board is done, repeat the steps on the other two boards. They will need to sit for a few hours to let the paint dry all the way.



When you come back in a few hours tip the boards over onto the tarp to get all the loose sand off. Use the tarp to poor the sand back into the bag or a container for use later.

Now you need to paint the vertical edges of the lava field and put sand on them. Be careful not to get too much paint down on the lava channels. You can cover up the little bits of sand that will stick down there when you do the lava itself. Once all this is done and had had a chance to dry go ahead and shake off the sand again and put the extra back in the container.



Step 5:

Now it is time to apply a coat of latex paint over all the sand to seal it in. Grab your large brush and give all the sand a good coat of latex paint. Make sure to pay attention to getting paint in all the little cracks you make along the lava channels. Also paint the outside edges of the boards at this time.




This will last step will take a while to dry so lets move on to making the movable terrain (if you had not started it already).

Step 6:

First we will start with the masonite board. You will be using this to make templates for your forests (Burnt out husks of trees) and any other rock outcroppings and lava cinder cones.

Draw out the shapes of the templates on the masonite board and cut them out with the jigsaw. Once they are cut out take your sandpaper and smooth out the edges.





For this board I cut out of the blue foam rock outcroppings and some cinder cones. Once these are cut out any that need templates will get glued onto them with the subfloor glue. Take the Drywall patch and use it to fill all the gaps along the bottoms of the foam and masonite.

Also cut out some hills and some small flat “sheets” of rock, that will be used for bridges over the lava rivers, from the left over sheet of blue foam.

Once the glue and plaster patch is dry go ahead and paint with the latex paint the areas of anything that you will want to have “sand” on them and cover them with sand.








Once that first coat of paint and sand is dry clear off the excess sand and paint everything black. This will seal in the sand and also give you a black base coat to work up from for the rocks.

Step 7:

Now we will go back to the boards that have dried and work on getting some “color” onto them. You will want the large brush, black and white paint and some newspaper or other surface to mix the paint on. First, mix up a medium grey and drybrush* the boards and your mobile terrain pieces this grey.

*Drybrushing is a painting technique of wiping most of the paint off a brush, so as you paint the brush will only leave paint on the raised surfaces, as there is a minimal amount of paint on the brush being used.

Next, lighten the grey paint with a little more white and paint the edges and some patches on the boards and moveable pieces with this. Then take an even lighter shade and get just the edges of the lava rivers and the movable terrain pieces.

Now all the boards and pieces should be finished with as much grey and white as you like.








Step 8:

Now we are going to me making the lava. You will need the Acrylic caulking and a medium small paintbrush for this.



What you are going to do is lay a large bead of caulking down the middle of the lava rivers and any other place where you will want lava. Once that is done, take the paint brush and spread out the bead of caulking. Sometimes you will need to dip the brush in some water as the caulking can get quite thick and sticky and will need to be thinned out aome. Give it a rough texture so it will look like a rough lava flow. Do the same for any mobile terrain pieces you also may have made that have lava on them.








If you want to make some “lava bubbles” go ahead and put a dollop of caulking down and smooth it into a bubble.




This will take up to a full day to dry depending on how thick the caulking is.

Step 9:

Now that all the caulking is try it is time to paint up the lava.

First you will start with yellow paint and a medium brush. Paint all the lava yellow. Once this is all done go ahead and heavily drybrush* the lava the red/orange color.




Once the orange is dry, mix some of the black paint with some orange paint and drybrush* it onto the tops of the lava. This will give you the look of lava that has cooled somewhat on top. If you want it to look even cooler you can use more black as an additional coat of paint.






Now that all the lava is painted you will want to recreate the glow that hot lava radiates onto the adjacent rock.
Take your medium paint brush and the orange/red paint and drybrush* it onto the walls adjacent to the lava. Also drybrush orange strips onto the bottom of the “bridges” for the lava that would be glowing up at them.






Step 10:

Go Play! You are done!








Here is the section on making trees. I also have included it in the OP. Enjoy!

Step 1:



This part of the tutorial that will cover how I created the burnt out trees.

What you will need:
1. Plaster Cloth
2. Bases to mount the trees on (I used the flat 60mm GW bases)
3. Armature wire (Or some other easily bendable thicker wire)
4. Wood Glue
5. Sand for the bases
6. Red, Orange, Black and Gray Paint (Or white to mix with black)
7. Knife to cut the Plaster cloth
8. Bowl to fill with water
9. Wire cutters/pliers
10. Paint burshes



Step 1:



Cut 8x 8” sections of wire for each tree you want to make.
Each 2 wires will make one branch, so if you want more or less branches add or subtract 2 wires.

Bunch up your set of wires for a tree and grip them with the pliers twisting the wire to create the trunk. After you have a long enough trunk, go ahead and twist out the branches. After you have twisted them out, bend them around enough to look like a gnarled tree. Trim the “roots” so that they fit on the base you are using.











Repeat this as many times as you would like trees.



Step 2:

Warning: This will make a huge mess. Either, do it when you parents/spouse are not home, or give them fair warning that you are going to clean it up.

Cut an 1” to 1.5” strip off the Plaster Cloth



Fill a bowl with water and get one of your trees. Submerge the plaster cloth for a second then remove it. Do not squeeze it out. I would recommend doing this somewhere where it will not matter if you drip plaster all over the place. I used the kitchen sink (don’t tell my wife!). Start wrapping it around your armature until you have covered it all. You may need to cut multiple strips to cover the whole tree. You can also press it down and smooth it out in areas as needed. Do not move to slowly either as the plaster strip can harden on you while you are working with it. Repeat this until all the trees are wrapped








Once they are all wrapped up set them aside to dry for a few hours.



Step 3:

Once your trees are dry it is time to mount them. I drilled a few holes in the base so that it would be easier for the glue to adhere to them.



Next, spread some wood glue on the bottom of the tree and plop it down on the base over the holes





This will take a while to dry, but will be very strong once it is dry. After it is dry spread glue on the rest of the base and dip it in sand to texture it. Do this to all the trees and set them aside to dry.



Step 4:

Once this is all dry, get out your paints. First off I painted them red then let it dry, then painted parts of them orange. This is to achieve a glowing charcoal log look once you are done.



Once all this is dry, dry brush them black and also paint the bases.



Once this is all dry, dry brush them varying shades of gray to give them the cooling ash look. When finished should have a tree that looks like it has been set on fire and all that is left is a burn out husk that is glowing from within.



I then coated them with 2-3 layers of clear coat as paint will chip off plaster fairly easily when they rub together in a storage box.

Enjoy!

Painting a Tyranid Flying Hive Tyrant Golden Demon winner

Here is a tutorial on how I painted my Forge World Flying Hive Tyrant.

First off I had to clean the resin model with warm soapy water to get all the residue off of it that was left from when it was cast. Next up was the required cleaning and touching up of the miniature. Typically you will find a lot of flashing and a few small holes that are left over from the casting process that will need to be cleaned up and patched.

Next came the assembly of the figure. I had originally decided to do something a little more dynamic to the model. So I used my blow dryer to heat up the wings and tail so that I could bend and reposition them to something I liked a little better. Also the Venom cannon had to go... so I made two new scything talons that were appropriately sized for this model. The normal "large" scything talons that GW makes are too small for something this big. Some of the other additions to this include; poison sacks (on the arms), adrenal glands (for extra BS and I. Mounted on the back) and implant attack (the things coming out of its mouth). I also put some holes in the wings to make it look like he was not fresh out of the spawning vat. Of coarse every thing also gets pinned in place. This will insure that the model will be strong enough to play with later. Below you can see the pictures of it at this stage after it had been primed.

The "silver" model on the base was glued there to provide extra stability until I was finished paining and ready to mount the figure to the display base. Though the model will stand on its' own, I swear! What I should have done in retrospect was make the spore chimney that he is leaping off of out of lead to counter weight the model.

The head was mounted on a wood block and painted separately so that it would be out of the way.

And here is the side view

These are the rippers that will be accompanying him on the base. I cut the regular ripper head off and attached the head of the Epic 40k Trigon.

Next I started to work on the red of the "skin". The first color I used was GW scab red. This was thinned down using a Floating Medium by Plaid (it is a clear blending medium used to thin down paints, MUCH better than water. You can also use Future Floor Wax or any other desired suspension medium). As you can see in the picture below, it has gone on thin a blotchy. This is effect that am looking for to give the skin the underlying shade changes that will give me a good background for the later layers of color.

Skin Step 1

Here is a another picture of the first step, which illustrated the blotchy effect. Also when the thinned down paint (about the consistency of milk) is first applied it will look much brighter and more opaque, but it will darken as it drys. I would recommend doing a small area first until you get the hang of it.

Skin, Step 2

Next, I take scab red (Note: I always use a little of the floating medium mixed into the paint when painting. This will make sure that they don't give you the chalky look as you build up layers of paint. See the Carapace tutorial for a little more info.) and start painting on the "streaks" onto the skin. Also paint the edges of the skin and other protrusions that you will eventually want lighter than the darker base skin color.

Skin, Step 3

Next GW Red Gore is applied over the same streaks that had been made by Scab Red. I will also highlight the higher areas a little more at this point too.

Skin, Step 4

A 50/50 mix of Red Gore and GW Ruby Red (I don 't think they make this color any more. Blood red will work fine too. It just had to much yellow in it for my taste.) is applied over the streaks and other highlighted areas. Remember to make the streaks for the different colors smaller each time so that a little of the previous color will show through.

At this point I still have one more layer of highlighting to add the the skin. But I am going to wait on those until I have the armor and the all the little green bits done. This is to save me the hassle of having to touch up later where the green parts and armor get close to or merge with the skin.

Now it is time to paint all the little vents/sacks and other items that I will want to be green. First off I painted everything GW Snot Green. They were then washed with GW Ork Flesh wash (a dark green wash), they dry brushed Snot Green again once the wash had dried. Next I dry brushed a 50/50 mix of Snot Green and yellow over this concentrating it more to the middle of the vents. Lastly I added dry brushed a little yellow to finish it off. I used the same colors for the adrenal gland (little things on his back) and the tongue, but used pretty much the same techniques that I used to do the skin.

Armor

This will pretty much just be a reprint of my armor tutorial but now with pictures on each step.

Colors used:

A- Scorched Brown (Games Workshop)
B- Bestial Brown (GW)
C- Golden Brown (Delta Ceramcoat- the large paints you can get a Michael's Craft Stores)
D- Flesh (Coat d' arms paints)
E- Oyster White (Delta Ceramcoat)
F- White (Vallejo Paints)

-There is no reason I chose one manufacture of another, it is just what I had. I did use color "D" though because the GW Bleached Bone has too much yellow in it for me.

-Also for all of these steps I use Floating Medium by Plaid (it is a clear blending medium used to thin down paints, MUCH better than water). See the little caption at the top of the painting steps picture. Color 1 and 2 are the two colors that I am mixing. Color 3 is the blending medium that I am mixing in to the two paints that I mixed to keep them smooth. This way I can put multiple layers of paint on a miniature without getting that chalky paint build up look.

This is a quick reference for the different steps for the armor

Armor, Step 1

First I painted two thin coats of Bestial Brown (GW) to get a nice ever base color. Next, where the plates of the armor join put down small streaks of Scorched Brown that have been thinned down.

Armor, Step 2

Mix colors Bestial Brown and Golden Brown (50/50 -Same technique as seen in the mixing caption). Lay the paint down in triangular patterns as seen in Example 2 of the quick reference image above. the triangles may overlap. For the long straight parts on the wings and the scythes I just made streaks.

Armor, Step 3

Lay down a thinned Golden Brown in the same triangular pattern. Don't take this color up as far as you did in step 2. Also make the "triangles" thinner than in step 2 also so that a little of the previous color show too.

Armor, Step 4

Mix Golden Brown and Flesh (50/50 mix) and add the thinning medium (again the thinning medium is present in all steps. I usually thin it down to a soupy mix). This is then applied in the same way as the other colors but just with less coverage so that all the previous steps still show a little.

Armor, Steps 5,6,7,8

The picture below after step 8 when I had put the head on.
Armor Step 5: Now apply a thinned down Flesh in smaller triangles than Step 4.
Armor Step 6: Mix colors Flesh and Oyster White (50/50) and apply in smaller "Triangles" (or streaks where appropriate) that don't go up as far.
Step 7- Apply a thinned Oyster White in very small streaks than maybe only go 1/3 of the way up.
Step 8- Apply a very thin White just to the very edge of the armor.

Wings and Joints

The wings and joints were painted with about 4 different shades of gray working my way up from a dark Charcoal Gray to a lighter Ghost Gray on the very edges and lighter highlights.

Skin, Final Steps

The first thing I did here was a little bit of touch up a the places where the green and the gray for the joints had gotten onto the skin. Next I did the final highlighting with a mix of Golden Yellow and Red Gore (about 70/30 mix, or to taste)

The Base

Now it was time to finish the base. The spore chimney that it is leaping off of was made out of scultpy. The other items on the base were made out of green stuff. The white stuff on the base is magic sculpt. Magic sculpt is an epoxy 2 part putty that is water soluble. What that lets me do is wet my finger and smooth out the large surface on the base quite easily, it is also quite cheap and drys ROCK hard.

This next step involved:
1: painting the tyranidy terrain on the base and the bio pool that will later have clear casting resin pored into it.
2. Gluing the Rippers onto the base.
3. Gluing on the sand with white glue and painting it. Which usually involves a few washes to get some shades of color into the sand, and the a few layers of dry brushing for highlighting.
4. Next I added the long grass and the pinkish flowers to the base.
5. Now at this point I put of few coats of Testor's Spray Dull Coat on the model to protect it.
6. Lastly I pored the resin onto the base to form the pool. I let the resin cure a little in the cup first so that it would not be too runny when I pored it onto the base since there would be no "walls" to keep it contained. To get the green swirlies in the resin I dipped a tooth pick in some paint and then swirled it in the resin while it was in the cup. You don't want to mix it in to much otherwise you would just end up with green water.

Conclusion:

I was quite happy with the way that this model turned out. As always there are things on it that I would have liked to improve. But I was finishing it the night before Games Day. Maybe next year I will learn that starting a project 2 weeks before is just a bad idea. In total I probably spent about 40 hours working on it. But the best part about this figure is being able to terrorize my opponents with it on the battlefield.

I hope that this was informative and if you have any questions or comments feel free to ask.

Painting Tyranid Armor

Finally here is the tutorial on painting Carapace that quite a few of you have been asking for, Enjoy.

Colors used:
Feel free to use other colors to make your carapace, or even substitute a whole other color range in to make, say… blue Carapace.

A- Scorched Brown (Games Workshop)
B- Bestial Brown (GW)
C- Golden Brown (Delta Ceramcoat- the large paints you can get a Michaels Craft Stores)
D- Flesh (Coat d'arms paints)
E- Oyster White (Delta Ceramcoat)
F- White (Vallejo Paints)

-There is no reason I chose one manufacture of another, it is just what I had. I did use color "D" though because the GW Bleached Bone has too much yellow in it for me.

-Also for all of these steps I use Floating Medium by Plaid (it is a clear blending medium used to thin down paints, MUCH better than water). See the little caption at the top of the painting steps picture. Color 1 and 2 are the two colors that I am mixing. Color 3 is the blending medium that I am mixing in to the two paints that I mixed to keep them smooth. This way I can put multiple layers of paint on a miniature without getting that chalky paint build up look.

Step 0- Prime the Mini black

Step 1- Paint Mini with two thin coats of "B". Where the plates of the armor join put down small streaks of "A" that have been thinned down.

Step 2- Mix colors "B" and "C" (50/50 -Same technique as seen in the mixing caption). Lay the paint down in triangular patterns as seen in Example 2. They may overlap.

Step 3- Lay down a thinned "C" in the same triangular pattern. Don't take this color up as far as you did in step 2. Also make the "triangles" thinner than in step 2 too.

Step 4- Mix colors "C" and "D" and add the thinning medium (again the thinning medium is present in all steps. You should be tinning it down to a soupy mix.

Step 5- Now apply a thinned "D" in smaller triangles than Step 4.

Step 6- Mix colors "D" and "E" and thin and apply in smaller "Triangles" that don't go up as far.

Step 7- Apply a thinned "E" in very small streaks than maybe only go 1/3 of the way up.

Step 8- Apply a thinned "F" just to the very edge of the armor.

Step 9- Go take and Aspirin.

Here are a few examples of complete Carapace.